Eurovisions: Identity and the International Politics of the Eurovision Song Contest since 1956
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | , , |
| الملخص: | XIII, 244 p. 4 illus., 1 illus. in color. text |
| اللغة: | الإنجليزية |
| منشور في: |
Singapore :
Springer Nature Singapore : Imprint: Palgrave Macmillan,
2019.
|
| الطبعة: | 1st ed. 2019. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-981-13-9427-0 |
| التنسيق: | الكتروني كتاب الكتروني |
جدول المحتويات:
- 1. Entangled Histories: Identity, Eurovision and European Integration
- 2. Germany as the Good European: National Atonement and Performing Europeanness at the Eurovision Song Contest
- 3. ‘Making Your Mind Up’: the United Kingdom and Eurovision-scepticism
- 4. Losing Nationhood at the Heart of Europe? Belgium, Eurovision, and National Identity
- 5. Negotiating Post-war Nationhood: Serbia, Croatia and Bosnia-Herzegovina at the Eurovision Song Contest
- 6. Recognising Kosovo in the World of Televised International Song Contests
- 7. Ruslana, Serduchka and Jamala: National Self-Imaging in Ukraine’s Eurovision Entries
- 8. Nation branding, cultural relations, and cultural diplomacy at Eurovision: between Australia and Europe
- 9. ‘If Love Was a Crime, We Would Be Criminals’: the Eurovision Song Contest and the Queer International Politics of Flags
- 10. Europe – Start Voting Now! Democracy, Participation and Diversity in the Eurovision Song Contest. .