Literature, Memory, Hegemony East/West Crossings /
| Collectivité auteur: | |
|---|---|
| Autres auteurs: | , |
| Résumé: | XIX, 193 p. 3 illus. text |
| Langue: | anglais |
| Publié: |
Singapore :
Springer Nature Singapore : Imprint: Palgrave Macmillan,
2018.
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| Édition: | 1st ed. 2018. |
| Sujets: | |
| Accès en ligne: | https://doi.org/10.1007/978-981-10-9001-1 |
| Format: | Électronique Livre |
Table des matières:
- INTRODUCTION
- East/West: What’s at Stake?
- part i: COMPARATIVE AND CROSS-CULTURAL APPROACHES
- “Liu Hsieh and Mark Turner: The Elucidation of Literary Minds”
- “Crossing Frontiers: English Romanticism and Sufism as Literary Movements”
- PART II: Transnational orient(ations) and EMPIRES
- “‘The Democracy of Art’: Elizabeth Keith and the Aesthetic of the Eastern Ordinary”
- “From Victorian England to Colonial Korea: Desire and Subversion in Chan-wook Park’s Ah-ga-ssi (The Handmaiden)”
- PART iII: Immigration, “RACE”, AND Antinomies of NATION
- “Identity and Mis/Identification: The Asylum Seeker in Roma Tearne’s The Swimmer”
- “Korean/American Literary Images of Black Amerasians”
- part iV: TRANSLATING MEMORY and SUBALTERN HISTORy
- “Graphic Visions: Translating Chinese History through Collaborative Graphic Autobiography”
- “Memory, Empathy, and Narrative in Meena Kandasamy’s The Gypsy Goddess”
- Conclusion
- “In Lieu of a Conclusion: East and West as Regions of Consciousness”.