Translocal Performance in Asian Theatre and Film
| 第一著者: | |
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| 団体著者: | |
| 要約: | XIII, 177 p. 36 illus. text |
| 言語: | 英語 |
| 出版事項: |
Singapore :
Springer Nature Singapore : Imprint: Palgrave Pivot,
2018.
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| 版: | 1st ed. 2018. |
| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-981-10-8609-0 |
| フォーマット: | 電子媒体 図書 |
目次:
- Introduction
- Methodologies: From Postcolonial Feminism and Creolization toward Translocal
- Part One: Intercultural Theatre in Taiwan
- CLT’s A Midsummer Night’s Dream: Tradition, Modernity and Translocality
- Yukio Ninagawa’s Hamlet in Taiwan: Intercultural Representation
- Theatre Represents Literature: Love and Labor in Send Away Under Escort
- Part Two: From Local to Global—Hakka, Dance, Chinese Musical, and Film
- Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama
- Hakka Culture and Image in Film and Performance
- Irresistible Seduction and Translocal Labor of Musical Theatre in Taiwan: From Translation to Multi- Arts
- Spectacle, Adaptation and Sexuality in Chinese Musicals
- The Abject, Murder and Sex in the Golden Horse Awards Film The Great Buddha+
- Sex, Money, Calculating and Manipulative in Politics in the Golden Horse Awards Film The Bold, The Corrupt, and The Beautiful
- Conclusion.