Translocal Performance in Asian Theatre and Film
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Crynodeb: | XIII, 177 p. 36 illus. text |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Singapore :
Springer Nature Singapore : Imprint: Palgrave Pivot,
2018.
|
| Rhifyn: | 1st ed. 2018. |
| Pynciau: | |
| Mynediad Ar-lein: | https://doi.org/10.1007/978-981-10-8609-0 |
| Fformat: | Electronig Llyfr |
Tabl Cynhwysion:
- Introduction
- Methodologies: From Postcolonial Feminism and Creolization toward Translocal
- Part One: Intercultural Theatre in Taiwan
- CLT’s A Midsummer Night’s Dream: Tradition, Modernity and Translocality
- Yukio Ninagawa’s Hamlet in Taiwan: Intercultural Representation
- Theatre Represents Literature: Love and Labor in Send Away Under Escort
- Part Two: From Local to Global—Hakka, Dance, Chinese Musical, and Film
- Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama
- Hakka Culture and Image in Film and Performance
- Irresistible Seduction and Translocal Labor of Musical Theatre in Taiwan: From Translation to Multi- Arts
- Spectacle, Adaptation and Sexuality in Chinese Musicals
- The Abject, Murder and Sex in the Golden Horse Awards Film The Great Buddha+
- Sex, Money, Calculating and Manipulative in Politics in the Golden Horse Awards Film The Bold, The Corrupt, and The Beautiful
- Conclusion.