Performance Phenomenology To The Thing Itself /
| Körperschaft: | |
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| Weitere Verfasser: | , , |
| Zusammenfassung: | XX, 337 p. 16 illus., 9 illus. in color. text |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2019.
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| Ausgabe: | 1st ed. 2019. |
| Schriftenreihe: | Performance Philosophy,
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| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.1007/978-3-319-98059-1 |
| Format: | Elektronisch Buch |
Inhaltsangabe:
- 1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner
- 2. The Essential Question: So what’s phenomenological about Performance Phenomenology?; Stuart Grant
- 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone
- 4. The unnamed origin of the performative in Heidegger’s interpretation of Aristotelian Phronēsis; Stuart Grant
- 5. A Phenomenology of Being Seen; Sondra Fraleigh
- 6. ‘A unique way of being’: The place of music in Merleau-Ponty’s Phenomenology of Perception; Marc Duby
- 7. Foregrounding the imagination: re-reflecting on dancers’ engagement with video self-recordings; Shantel Ehrenberg
- 8. Sensing Film Performance; Sean Redmond
- 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie
- 10. On Not Being Able to Dance: The Interring; Robert P. Crease.-11. Performance Criticism: Live writing as phenomenological poiēsis; Diana Damian Martin
- 12. The Erotic Reduction: Crossed flesh in Lea Anderson’s The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart
- 13. Sound Design: A Phenomenology; Christopher Wenn
- 14. Acting without ‘meaning’ or ‘motivation’: A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli
- 15. Thinking with Performance; Ian Maxwell.