Spectatorship and Film Theory The Wayward Spectator /
| Autore principale: | |
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| Ente Autore: | |
| Riassunto: | VII, 208 p. text |
| Lingua: | inglese |
| Pubblicazione: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Edizione: | 1st ed. 2018. |
| Soggetti: | |
| Accesso online: | https://doi.org/10.1007/978-3-319-96743-1 |
| Natura: | Elettronico Libro |
Sommario:
- 1. Introduction: Film theory, a divided passion?
- 2. The heteronomy of subjectivity and the spectator’s emancipation
- 3. Everyday film theory
- 4. Situatedness and contingency of film experience
- 5. The process of free association and film as an evocative object
- 6. The indeterminacy of embodiment
- 7. The spectator as a history of encounters.