Spectatorship and Film Theory The Wayward Spectator /
| Autor Principal: | |
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| Autor Corporativo: | |
| Summary: | VII, 208 p. text |
| Idioma: | inglés |
| Publicado: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Edición: | 1st ed. 2018. |
| Subjects: | |
| Acceso en liña: | https://doi.org/10.1007/978-3-319-96743-1 |
| Formato: | Electrónico Libro |
Table of Contents:
- 1. Introduction: Film theory, a divided passion?
- 2. The heteronomy of subjectivity and the spectator’s emancipation
- 3. Everyday film theory
- 4. Situatedness and contingency of film experience
- 5. The process of free association and film as an evocative object
- 6. The indeterminacy of embodiment
- 7. The spectator as a history of encounters.