Spectatorship and Film Theory The Wayward Spectator /
| Príomhchruthaitheoir: | |
|---|---|
| Údar corparáideach: | |
| Achoimre: | VII, 208 p. text |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
|
| Eagrán: | 1st ed. 2018. |
| Ábhair: | |
| Rochtain ar líne: | https://doi.org/10.1007/978-3-319-96743-1 |
| Formáid: | Leictreonach LEABHAR |
Clár na nÁbhar:
- 1. Introduction: Film theory, a divided passion?
- 2. The heteronomy of subjectivity and the spectator’s emancipation
- 3. Everyday film theory
- 4. Situatedness and contingency of film experience
- 5. The process of free association and film as an evocative object
- 6. The indeterminacy of embodiment
- 7. The spectator as a history of encounters.