Spectatorship and Film Theory The Wayward Spectator /
| Egile nagusia: | |
|---|---|
| Erakunde egilea: | |
| Gaia: | VII, 208 p. text |
| Hizkuntza: | ingelesa |
| Argitaratua: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
|
| Edizioa: | 1st ed. 2018. |
| Gaiak: | |
| Sarrera elektronikoa: | https://doi.org/10.1007/978-3-319-96743-1 |
| Formatua: | Baliabide elektronikoa Liburua |
Aurkibidea:
- 1. Introduction: Film theory, a divided passion?
- 2. The heteronomy of subjectivity and the spectator’s emancipation
- 3. Everyday film theory
- 4. Situatedness and contingency of film experience
- 5. The process of free association and film as an evocative object
- 6. The indeterminacy of embodiment
- 7. The spectator as a history of encounters.