Realist Critiques of Visual Culture From Hardy to Barnes /

Manylion Llyfryddiaeth
Prif Awdur:	Barnaby, Edward (Awdur)
Awdur Corfforaethol:	SpringerLink (Online service)
Crynodeb:	VII, 186 p. text
Iaith:	Saesneg
Cyhoeddwyd:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Rhifyn:	1st ed. 2018.
Pynciau:	Literature, Modern > 20th century. Literature, Modern > 19th century. Fiction. Twentieth-Century Literature. Nineteenth-Century Literature. Fiction Literature.
Mynediad Ar-lein:	https://doi.org/10.1007/978-3-319-77323-0
Fformat:	Electronig Llyfr

Tabl Cynhwysion:

1. Introduction: Literary Realism as Meta-Spectacle
2. “Pugin was wrong, and Wren was right” – Architectural Revival as Spectacle in Thomas Hardy’s Jude the Obscure
3. “The true Italy is to be found by patient observation” – Tourism as Spectacle in E.M. Forster’s A Room with a View
4. “You’ve stirred in me my unacted part” – Historical Pageantry as Spectacle in Virginia Woolf’s Between the Acts
5. “Pressed against the screen” – Cinema and Photography as Spectacle in Salman Rushdie’s Midnight’s Children
6. “The law of white gloves” – The Museum as Spectacle in Edward Carey’s Observatory Mansions
7. Epilogue: “Those old soixante-huitards” – Debord as Spectacle in Julian Barnes’ England, England.

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