Experimental and Expanded Animation New Perspectives and Practices /
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Zusammenfassung: | XV, 286 p. 34 illus., 26 illus. in color. text |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
|
| Ausgabe: | 1st ed. 2018. |
| Schriftenreihe: | Experimental Film and Artists’ Moving Image,
|
| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.1007/978-3-319-73873-4 |
| Format: | Elektronisch Buch |
Inhaltsangabe:
- 1.Introduction, Vicky Smith and Nicky Hamlyn
- 2. Lines and Interruptions in Experimental Animation, Simon Payne
- 3. Performing the Margins of the New, Dirk de Bruyn
- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker
- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith
- 6. Analogon: Of A World Already Animated, Sean Cubitt
- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes
- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9
- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells
- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse
- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan
- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill
- 13. Siting Animation: the Affect of Place, Birgitta Hosea.