Locating Nordic Noir From Beck to The Bridge /
| 主要な著者: | , |
|---|---|
| 団体著者: | |
| 要約: | IX, 313 p. 8 illus., 6 illus. in color. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2017.
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| 版: | 1st ed. 2017. |
| シリーズ: | Palgrave European Film and Media Studies,
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-319-59815-4 |
| フォーマット: | 電子媒体 図書 |
目次:
- 1. Introduction: Where is Nordic Noir?
- 2. Part I: Local colour and location studies - Local colour and places on screen
- 3. Location studies: a topography of Nordic noir
- 4. Four perspectives on the Nordic region
- 5. Part II: From bestsellers to blockbusters - Stieg Larsson and Scandinavian crime literature as a stepping stone
- 6. Beck and character adaptations
- 7. Funding models and increasing transnationalism
- 8. Part III: Written for the Danish screen - The Killing and DR’s Danish model
- 9. Norskov and Danish commercial public service drama
- 10. The Team, Danish transnationalism and the local colour of Europe
- 11. Part IV: Written for the Nordic screen - Blue Eyes and the rise of the Swedish original
- 12. Trapped and original Noir from Iceland and Norway
- 13. The Bridge, transnational co-productions and screen tourism
- 14. Con clusion: Nordic Noir beyond the Nordic. .