Adaptation in Visual Culture Images, Texts, and Their Multiple Worlds /
| 団体著者: | |
|---|---|
| その他の著者: | , |
| 要約: | XVI, 285 p. 17 illus. in color. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2017.
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| 版: | 1st ed. 2017. |
| シリーズ: | Palgrave Studies in Adaptation and Visual Culture,
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-319-58580-2 |
| フォーマット: | 電子媒体 図書 |
目次:
- 1. Constantine Verevis, “Film Novelization”
- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?"
- 3. Glenn Jellenik, “The Task of the Adaptation Critic”
- 4. Thomas Leitch, “Mind the Gaps”
- 5. R. Barton Palmer, “Continuation, Adaptation Studies, and the Never-Finished Text”
- 6. Kamilla Elliott “Unfilmable Books.”
- 7. Sarah Cardwell, “A Dickensian Feast: Visual Culture and Television Aesthetics”
- 8. Deborah Cartmell, “Star Adaptations: Queen Biopics of the 1930s”
- 9. Jack Boozer, “Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps”
- 10. Christine Geraghty, “Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)”
- 11. Julie Grossman, “Fargos”
- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass"
- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')"
- 14. Nancy West, “The Worlds of Downton Abbey”.