Biographical Misrepresentations of British Women Writers A Hall of Mirrors and the Long Nineteenth Century /
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| Weitere Verfasser: | |
| Zusammenfassung: | XIV, 291 p. text |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2017.
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| Ausgabe: | 1st ed. 2017. |
| Schriftenreihe: | Palgrave Studies in Life Writing,
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| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.1007/978-3-319-56750-1 |
| Format: | Elektronisch Buch |
Inhaltsangabe:
- Introduction; or, What You Will
- Genteel Appropriations of Lady Mary Wortley Montagu (1689–1762): Sex, Sensibility, and Taste in Victorian Family Biography by Magdalena Nerio
- A Vindication of the Woman Known as Mary Wollstonecraft (1759–1797)
- The Constructed Letters of Mary Hays (1759–1843)
- So Irish; so modish, so mixtish, so wild”: Sydney Owenson (Lady Morgan) (1781–1838) and The Makings of a Life.-Letitia Elizabeth Landon (1802–1838)
- Whose Poetess?The After-Lives of Felicia Hemans (1793–1835): Biographical Misconstructions.-“Stuck Through with a Pin and Beautifully Preserved”: Curating the Life of “Elizabeth Barrett Browning”
- Harriet Martineau (1802–1876) Autobiography, Biography, and Literary Legacies
- Caroline Norton (1808–1877): The Injured Wife, Scandal, and the Politics of Feminist Memory
- The Biographer as Biographee: Elizabeth Gaskell (1810-1865)
- Charlotte Brontë (1816–1855): (Un)Masked Author to Mythic Woman
- An Unconventional and Contradictory Life: Lady Florence Dixie
- A Woman Whom Men Could More Than Love”: Transfiguring the Unlovely in George Eliot (1819–1880)
- Irony upon Irony: The Persistence of Gordon Haight’s Perceptions of Edith Simcox (1844–1901).