Space and Subjectivity in Contemporary Brazilian Cinema

التفاصيل البيبلوغرافية
مؤلف مشترك:	SpringerLink (Online service)
مؤلفون آخرون:	da Silva, Antônio Márcio (المحرر), Cunha, Mariana (المحرر)
الملخص:	XI, 244 p. 26 illus., 22 illus. in color. text
اللغة:	الإنجليزية
منشور في:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
الطبعة:	1st ed. 2017.
سلاسل:	Screening Spaces
الموضوعات:	Motion pictures, American. Ethnology > Latin America. Culture. Motion pictures. Communication. Sociology, Urban. Latin American Film and TV. Latin American Culture. Film Theory. Media and Communication. Urban Sociology.
الوصول للمادة أونلاين:	https://doi.org/10.1007/978-3-319-48267-5
التنسيق:	الكتروني كتاب

جدول المحتويات:

Chapter 1: Introduction
Chapter 2: Tikmũ’ũn’s Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films
Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema
Chapter 4: Mapping from the Margins: The Films of Beto Brant
Chapter 5: Bodies in Landscape: The Scientist’s Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto
Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema
Chapter 7: Insolação: Subjective Perception of an Urban Utopia through the Lens of Love and Loss
Chapter 8: Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco sai, preto fica
Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo’s Cityscape
Chapter 10: The Space of Queer Masculinities in Karim Aïnouz’s Praia do Futuro
Chapter 11: Water and Queer Intimacy
Chapter 12: ‘Casa grande & senzala’: Domestic Space and Class Conflict in Casa grande and Que horas ela volta?
Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle.

مواد مشابهة