Woman in Lars von Trier’s Cinema, 1996–2014
| Prif Awdur: | |
|---|---|
| Awdur Corfforaethol: | |
| Crynodeb: | VIII, 213 p. text |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2016.
|
| Rhifyn: | 1st ed. 2016. |
| Pynciau: | |
| Mynediad Ar-lein: | https://doi.org/10.1007/978-3-319-40639-8 |
| Fformat: | Electronig Llyfr |
Tabl Cynhwysion:
- 1. Introduction: The Lacanian Woman and Lars von Trier’s Cinema
- 2. The Danger of the Naive Religious Woman of Breaking the Waves
- 3. Idioterne: Woman as a Proponent of Real Politics
- 4. Dancer in the Dark: Deploying the Siren, Impairing the Sight
- 5. Dogville: Woman as an Ideological Cinematic Tool
- 6. Manderlay: The Gift, Grace’s Desire, and the Collapse of Ideology
- 7. The Deployment of the Impossible Woman in Antichrist
- 8. Besides Melancholia and Beyond Gender: Melancholia
- 9. Conclusion, or, Desire as Law: the Loneliness of Nymphomaniac between Pornography and Narrative.