書本目錄:
  • Chapter 1 : Setting the Scene :The Adoption of Forensic Holistic Analysis in the Attribution of an Artwork and the Role of Connoisseurship
  • Chapter 2: The Life and Death of Raffael Sanz di Urbino
  • Chapter 3: The de Brécy Tondo: A History Prior to its Purchase in 1981 and Afterwards
  • Chapter 4: Scientific Analysis and the Analytical Scientific Evidence for the de Brécy Tondo being a Renaissance Painting
  • Chapter 5: The Sistine Madonna
  • Chapter 6: Renaissance Pigments and Raphael’s Palette
  • Chapter 7: The Application of Artificial Intelligence (AI) to the Attribution of Art Works
  • Chapter 8: Case Studies
  • Chapter 9: Summary and Conclusions
  • Appendix I: Raphael’s Paintings
  • Catalogue Raisonee of Professor Jurg Meyer zu Capellen ( 2001-2008)
  • Appendix II: Professor Jurg Meyer zu Capellen – Rejected Raphael Painting Attributions and Attributed Raphael Workshop Paintings*
  • Appendix III : Dr Luitspold Dussler’s Catalogue Raisonnee of Raphael Paintings
  • Appendix IV : Additional Data for Raphael’s Artworks in the Catalogue Raisonee of zu Capellen
  • Appendix IV Table 1: Provenance, Preparative Studies , Copies of Original Paintings and Drawings, Prints and Engravings for Attributed
  • Raphael Oil Paintings*
  • Appendix IV Table 2 : Composition of Raphael’s Madonna and Child Paintings
  • Appendix V : Luitpold Dussler - Rejected Raphael Attributions.