Style and Sense(s)
| Korporativna značnica: | |
|---|---|
| Drugi avtorji: | , |
| Izvleček: | XIX, 307 p. 8 illus. text |
| Jezik: | angleščina |
| Izdano: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2024.
|
| Izdaja: | 1st ed. 2024. |
| Teme: | |
| Online dostop: | https://doi.org/10.1007/978-3-031-54884-0 |
| Format: | Elektronski Knjiga |
Kazalo:
- Chapter 1. Introduction: Enacting style and sense(s) (Linda Pillière and Sandrine Sorlin)
- Part I ‘The representation of sense and sense-making in fiction’
- Chapter 2. The representation of experience in modernist fiction (Violeta Sotirova)
- Chapter 3. To make you hear, make you feel, make you see: representing sense-perceptions in narrative fiction (Michael Toolan)
- Chapter 4. The sense of the sense of smell in Virginia Woolf’s Flush (Stéphanie Béligon)
- Part II ‘Sensory details across genres’
- Chapter 5. “The Mt Everest of dining experiences”: Multisensory style in restaurant reviews (Áine Dougherty & Craig Hamilton)
- Chapter 6. “You see, but you do not observe” – Sensory manipulation and sense-making in the Sherlock Holmes detective stories (Catherine Emmott & Marc Alexander)
- Part III ‘Experiencing otherness’
- Chapter 7. Experiencing mind style: from iconicity to sensory simulation (LouiseNuttall)
- Chapter 8. Painting a world before language using language: A cognitive stylistic analysis of synaesthetic metaphors in the imagery of Keki Daruwalla’s “Before the Word” (Sreenidhi Sivakumar & Maitali Khanna)
- Chapter 9. Remaking the sense(s) in Sumana Roy’s How I Became a Tree: a stylistic analysis (Esterino Adami)
- Part IV ‘Senses through medium and semiotic systems’
- Chapter 10. “The sound must seem an echo to the sense”: Experiencing oral and silent reading of poetry (Willie van Peer & Anna Chesnokova)
- Chapter 11. Creative writing practice of ekphrastic intervention: a case study of literary responses to “A Blind Girl Reading” by Ejnar Nielsen (Polina Gavin)
- Chapter 12. Putting some flesh on sensory language: an experiential approach to style (Jean-Rémi Lapaire).