Semi-Peripheral Realism Nation and Form on the Borders of Europe /
| المؤلف الرئيسي: | |
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| مؤلف مشترك: | |
| الملخص: | VIII, 230 p. text |
| اللغة: | الإنجليزية |
| منشور في: |
Cham :
Springer Nature Switzerland : Imprint: Palgrave Macmillan,
2024.
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| الطبعة: | 1st ed. 2024. |
| سلاسل: | New Comparisons in World Literature,
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-3-031-53843-8 |
| التنسيق: | الكتروني كتاب |
جدول المحتويات:
- 0 Introduction
- 1 ‘A History-with-Holes’?: Magical Realism and National Allegory in Halldór Laxness’s Iceland’s Bell and William Heinesen’s The Good Hope
- 2 Between Nation and World: Peripheral Nationalism and Global Capitalism in Halldór Laxness’s The Atom Station and William Heinesen’s The Black Cauldron
- 3 The Semi-Peripheral City: Orhan Pamuk’s Istanbul and Latife Tekin’s Dear Shameless Death
- 4 Semi-Peripheral Borderscapes: Latife Tekin’s Swords of Ice and Orhan Pamuk’s Snow
- 5 Conclusion: Uneveness as ‘Hidden Symmetry’.