Classical Music and Opera During and After the COVID-19 Pandemic Empirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms /
| 団体著者: | |
|---|---|
| その他の著者: | , , |
| 要約: | IX, 151 p. 14 illus., 13 illus. in color. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer Nature Switzerland : Imprint: Springer,
2023.
|
| 版: | 1st ed. 2023. |
| シリーズ: | Music Business Research,
|
| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-031-42975-0 |
| フォーマット: | 電子媒体 eBook |
目次:
- Chapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition
- Chapter 2 Opera (Training (Research)) During Lockdown
- Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlin’s three opera houses
- Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication
- Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form?
- Chapter 6 Digital Concert Experience – An online research project on live streaming during the pandemic
- Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams
- Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz.