Classical Music and Opera During and After the COVID-19 Pandemic Empirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms /
| Údar corparáideach: | |
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| Rannpháirtithe: | , , |
| Achoimre: | IX, 151 p. 14 illus., 13 illus. in color. text |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Cham :
Springer Nature Switzerland : Imprint: Springer,
2023.
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| Eagrán: | 1st ed. 2023. |
| Sraith: | Music Business Research,
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| Ábhair: | |
| Rochtain ar líne: | https://doi.org/10.1007/978-3-031-42975-0 |
| Formáid: | Leictreonach LEABHAR |
Clár na nÁbhar:
- Chapter 1 Quo Vadis Classical Music? Remarks on the Post-Pandemic Condition
- Chapter 2 Opera (Training (Research)) During Lockdown
- Chapter 3 The pandemic as a peephole into the ongoing digital transformation of opera. Insights from an expert interview study with the management of Berlin’s three opera houses
- Chapter 4 The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication
- Chapter 5 Streaming Opera: Compromise Solution or Future-Oriented Reception Form?
- Chapter 6 Digital Concert Experience – An online research project on live streaming during the pandemic
- Chapter 7 Did lockdowns stimulate digital cultural participation? Mapping the post-pandemic Berlin classical concert audience and its adoption of audiovisual concert streams
- Chapter 8 Combining two different worlds. A post-pandemic interview with the dramaturgs Dr. Merle Fahrholz and Dr. Ulrich Lenz.