Multilingual Dramaturgies Towards New European Theatre /
| Glavni autor: | |
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| Autor kompanije: | |
| Sažetak: | XV, 273 p. 37 illus., 3 illus. in color. text |
| Jezik: | engleski |
| Izdano: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2024.
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| Izdanje: | 1st ed. 2024. |
| Serija: | New Dramaturgies,
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| Teme: | |
| Online pristup: | https://doi.org/10.1007/978-3-031-40624-9 |
| Format: | Elektronički Knjiga |
Sadržaj:
- Chapter1. Multilingual Dramaturgies: Theories, Politics, and European landscape
- Part I: Questions Of Language
- Chapter 2. The Failures of Multilingual Dramaturgies: The blind poet by Needcompany
- Chapter 3. Multisensory, Multilingual Dramaturgy as a Tool for Social Change: Nie Mów Nikomu (Don’t Tell Anyone) by Scena Robocza.-Chapter 4. Dramaturgy of Incomprehensibility and Encounter in Odin Teatret’s The Tree
- Part II: Multilingual Adaptations
- Chapter 5. Multilingual Histories of Europe: Sir David Pountney on The Passenger and Memories of Auschwitz
- Chapter 6. Multilingualism as Mask and Virus: The Dialogue with Tradition in the Theatre of Radosław Rychci
- Chapter 7. Actors as Creators of Multilingual Dramaturgies: Teatro Inverso and Their Transnational Adaptations
- Part III: Local And Trans-Local Tales Of Cities And Their Communities
- Chapter 8. Dramaturging the Multilingual Community: Dramaturg Nina Thunnissen on the Work of Frisian Tryater
- Chapter 9. Multilingualismand Dramaturgy of History and Democracy: the Lithuanian National Theatre’s Žalia pievelė
- Chapter 10. Local and Global Politics in Malmö’s Teater Foratt and Teater JaLaDa
- Part IV:Webbed Dramaturgies
- Chapter 11. Towards Porous Europe: Multilingual Dramaturgies in Rimini Protokoll’s 100% City
- Chapter 12. Towards Aesthetics of Transatlantic Theatre: Multilingualism in SignDance Collective International’s production of Carthage/Cartagena by Caridad Svich.-Chapter 13. Making Europe: How Anne Bérélowitch’s Directorial and Training Practices Open Spaces for New Multilingual Dramaturgies
- Chapter 14. Towards New European Theatre.