Gender, Cinema, Streaming Platforms Shifting Frames in Neoliberal India /

التفاصيل البيبلوغرافية
مؤلف مشترك:	SpringerLink (Online service)
مؤلفون آخرون:	Chakraborty Paunksnis, Runa (المحرر), Paunksnis, Šarūnas (المحرر)
الملخص:	XIII, 285 p. text
اللغة:	الإنجليزية
منشور في:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
الطبعة:	1st ed. 2023.
الموضوعات:	Motion pictures > Asia. Gender identity in mass media. Motion picture industry. Television broadcasting. Digital media. Asian Film and TV. Media and Gender. Film and Television Industry. Digital and New Media.
الوصول للمادة أونلاين:	https://doi.org/10.1007/978-3-031-16700-3
التنسيق:	الكتروني كتاب

جدول المحتويات:

Chapter 1. Introduction
Chapter 2. Biopolitics of Hindutva: Masculinity and Violence in Leila and Aashram
Chapter 3. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven
Chapter 4. Questioning the “Great” in “The Great Indian Wedding”: Streaming Feminism through Band Baaja Baaraat and Made in Heaven
Chapter 5. Lust Stories and the Politics of Private Viewing on SVOD Platforms
Chapter 6. New Feminist Visibilities and Sisterhood: Re-interpreting Marriage, Desire, and Self-fulfilment in Mainstream Hindi Cinema
Chapter 7. Gaze Averted: Interrogating the Portrayal of Menstruation in Hindi Cinema
Chapter 8. Gender and Nationalism: The Journey of Sehmat in Meghna Gulzar’s Raazi
Chapter 9. India’s Daughter: The Banality of Rape
Chapter 10. The Deeply Personal Is Deeply Political: New Voices in Women’s Documentary Practice in Indian Subcontinent
Chapter 11. On Cinematic Transformation, Gender and Religion.An Interview with Ashish Avikunthak.

مواد مشابهة