Onscreen Allusions to Shakespeare International Films, Television, and Theatre /

Opis bibliograficzny
Korporacja:	SpringerLink (Online service)
Kolejni autorzy:	Joubin, Alexa Alice (Redaktor), Bladen, Victoria (Redaktor)
Streszczenie:	XV, 225 p. 13 illus., 11 illus. in color. text
Język:	angielski
Wydane:	Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Wydanie:	1st ed. 2022.
Seria:	Global Shakespeares,
Hasła przedmiotowe:	European literature > Renaissance, 1450-1600. Adaptation (Literary, artistic, etc.). Motion pictures. Television broadcasting. Performing arts. Theater. Early Modern and Renaissance Literature. Adaptation Studies. Film and Television Studies. Theatre and Performance Arts.
Dostęp online:	https://doi.org/10.1007/978-3-030-93783-6
Format:	Elektroniczne Książka

Spis treści:

Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006)
Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in Australian Film
Chapter 3. Othello Surfing: Fragments of Shakespeare in South Africa
Chapter 4. Shakespeare in Bits and Bites in Indian Cinema
Chapter 5. What “doth grace for grace and love for love allow”?: Recreations of the Balcony Scenes on Brazilian Screens
Chapter 6. “Mon petit doigt m’a dit …”: Referencing Shakespeare or Agatha Christie?
Chapter 7. Shakespeare’s Julius Caesar in Federico Fellini’s Roma
Chapter 8. “Still Our Contemporary” in East Central Europe? Post-socialist Shakespearean Allusions and Frameworks of Reference
Chapter 9. Soviet and Post-Soviet References to Hamlet on Film and Television.

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