Onscreen Allusions to Shakespeare International Films, Television, and Theatre /
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | , |
| الملخص: | XV, 225 p. 13 illus., 11 illus. in color. text |
| اللغة: | الإنجليزية |
| منشور في: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2022.
|
| الطبعة: | 1st ed. 2022. |
| سلاسل: | Global Shakespeares,
|
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-3-030-93783-6 |
| التنسيق: | الكتروني كتاب |
جدول المحتويات:
- Chapter 1. The Boundaries of Citation: Shakespeare in Davide Ferrario’s Tutta colpa di Giuda 2008), Alfredo Peyretti’s Moana (2009), and Connie Macatuno’s Romeo and Juliet (2006)
- Chapter 2. Antipodean Shakespeares: Appropriating Shakespeare in Australian Film
- Chapter 3. Othello Surfing: Fragments of Shakespeare in South Africa
- Chapter 4. Shakespeare in Bits and Bites in Indian Cinema
- Chapter 5. What “doth grace for grace and love for love allow”?: Recreations of the Balcony Scenes on Brazilian Screens
- Chapter 6. “Mon petit doigt m’a dit …”: Referencing Shakespeare or Agatha Christie?
- Chapter 7. Shakespeare’s Julius Caesar in Federico Fellini’s Roma
- Chapter 8. “Still Our Contemporary” in East Central Europe? Post-socialist Shakespearean Allusions and Frameworks of Reference
- Chapter 9. Soviet and Post-Soviet References to Hamlet on Film and Television.