Comparative Cinema Late and Last Things in Literature and Film /
| Հիմնական հեղինակ: | |
|---|---|
| Համատեղ հեղինակ: | |
| Ամփոփում: | XIV, 243 p. 20 illus. text |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2021.
|
| Հրատարակություն: | 1st ed. 2021. |
| Խորագրեր: | |
| Առցանց հասանելիություն: | https://doi.org/10.1007/978-3-030-69044-1 |
| Ձևաչափ: | Էլեկտրոնային Գիրք |
Բովանդակություն:
- Preface: what flies at dusk
- Part 1 - Film and Film: Spirituality and comparative cinema
- Chapter 1 - On the cinéphilia of Paul Schrader’s First Reformed
- Chapter 2 - Elective Affinities of Krzysztof Kieślowski’s Red: Curzio Malaparte and Naomi Kawase
- Part 2 - ‘I would like to escape this story’: creative betrayal.-Chapter 3 - Some thoughts on adaptation
- Chapter 4 - Bergman and Sophocles; Polański and Euripides
- Chapter 5 - Persona in the mirror of literature
- Chapter 6 - Ghosts of dramas past
- Chapter 7 - The pre-modernist moment: ‘I would like to escape this story’
- Chapter 8 - System and structure in The Crying of Lot 49 and How one sees
- Part 3 - Imagination and disaster
- Chapter 9 - Imagination and disaster: The Sweet Hereafter of Russell Banks and Atom Egoyan.-Chapter 10 - Modernist metaphors: love and fire in Lee Chang-Dong’s Burning
- Chapter 11 - Ruins in literature and film.