Female Agencies and Subjectivities in Film and Television
| 企業作者: | |
|---|---|
| 其他作者: | , , , |
| 總結: | XVII, 300 p. 6 illus. text |
| 語言: | 英语 |
| 出版: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2020.
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| 版: | 1st ed. 2020. |
| 主題: | |
| 在線閱讀: | https://doi.org/10.1007/978-3-030-56100-0 |
| 格式: | 電子 圖書 |
書本目錄:
- 1. Introduction
- 2. Agnès Varda and the Singular Feminine
- 3. Female Agency in Pelin Esmer Films: The Play (2005) and Queen Lear (2019)
- 4. The Feminine Indistinction in Susanne Bier’s Cinema: The Brothers (2005), In a Better World (2010), Bird Box (2019)
- 5. Consuming Bodies, Abject Spaces: Ana Lily Amirpour’s Transcultural Expressionism
- 6. Claire Underwood: Feminist Warrior or Shakespearean Villain? Re-visiting Feminine Evil in House of Cards
- 7. The Phenomenology of Orphan Black as Molecular Politics
- 8. ‘I will not be bullied into submission’: Discussing subjection and resistance in GLOW (2017)
- 9. Female Body Language: Cutting, Scarring, and Becoming in HBO’s Sharp Objects
- 10. The Strong Female Lead: Postfeminist Representation of Women and Femininity in Netflix Shows, Derya Özkan, Deborah Hardt
- 11. The Technological Turn of the Femme Fatale: The Fembot and Alternative Fates
- 12. Women Remembering: Gender and Genre in Persona and Happy Valley
- 13. Bridal anxieties: Politics of gender, neoconservatism and daytime TV in Turkey
- 14. International Filmmor Women’s Film Festival on Wheels: “Women’s Cinema, Women’s Resistance, Cinema of Resistance."- 15. Machine gaze on women: How everyday machine-vision-technologies see women in films.