The Films of Arturo Ripstein The Sinister Gaze of the World /
| 団体著者: | |
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| その他の著者: | , |
| 要約: | XVII, 341 p. 2 illus., 1 illus. in color. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2019.
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| 版: | 1st ed. 2019. |
| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-030-22956-6 |
| フォーマット: | 電子媒体 図書 |
目次:
- 1. Introduction; Manuel Gutiérrez Silva
- Part I. Slicing the Nationalist Gaze: Arturo Ripstein in the History of Mexican Cinema
- 2. Fifty Years in Film 1: Ripstein’s early years and his place in Mexican cinema; Luis Duno-Gottberg and Manuel Gutiérrez Silva
- 3. Anachronism and Dislocation: Tiempo de morir (1965) Between the Nuevo Cine Mexicano and the Global Western; Rielle Navitski
- 4. El castillo de la pureza (1972): A National Allegory about the Perils of Closed Markets; Christina L. Sisk
- 5. Marranismo, Allegory, and the Unsayable in Arturo Ripstein’s El Santo Oficio (1974); Erin Graff Zivin
- 6. Becoming “Arturo Ripstein”? On Collaboration and the “Author Function” in The Transnational Film Adaptation of El lugar sin límites (1978); Catherine Grant
- Part II. The Sinister Gaze: Pathos, Abjection, and Blood
- 7. Fifty Years in Film 2. Accomplices: Arturo Ripstein and Paz Alicia Garciadiego, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva
- 8. Deconstructing the Divas: Music in Arturo Ripstein’s El lugar sin límites (1978) and La reina de la noche (1994); Catherine Leen
- 9. Mexican Abjection: Lucha Reyes and the Politics of Suffering in La reina de la noche (1994); Sergio de la Mora
- 10. Profundo carmesí (1996): Blood Weddings in Contemporary Mexico; Javier Guerrero
- Part III. Undoing the Melodramatic Gaze
- 11. Fifty Years in Film 3: The Melodrama and Filmmaking in the Twenty-First Century, An Interview; Luis Duno Gottberg and Manuel Gutiérrez Silva
- 12. Arturo Ripstein: The Film Auteur in the Age of Neoliberal Production; Ignacio Sánchez Prado
- 13. La perdición de los hombres (200): Beyond Melodrama and its Variations; Niamh Thornton
- 14. Mothers, Maidens and Machos: Demolishing the Myths of Mexican Melodrama in Principio y fin (1996); Caryn Connelly
- 15. From La Manuela to La Princesa de Jade: Visual Spectacle and the Repetition Compulsion; Claudia Schaefer.