Eurovision and Australia Interdisciplinary Perspectives from Down Under /
| Corporate Author: | |
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| Other Authors: | , |
| Summary: | XIX, 287 p. 3 illus. text |
| Language: | English |
| Published: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2019.
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| Edition: | 1st ed. 2019. |
| Subjects: | |
| Online Access: | https://doi.org/10.1007/978-3-030-20058-9 |
| Format: | Electronic Book |
Table of Contents:
- 1.“Good evening, Europe — good morning, Australia”: an Introduction
- 2. Australia and the Eurovision Song Contest: a Historical Survey
- 3. The Politics of Diversity and Participation
- 4. Indigenous Representation at the Eurovision Song Contest: a Quintessentially Australian Identity
- 5. Gender-Bending or Gender-Straightening? Australia and the ESC at the Intersections of Gender, Sexual Orientation and Ethnicity
- 6. Sounds like Australia? Listening to Australia’s Eurovision Song Performances
- 7. Australia in Eurovision: the View from Europe
- 8. Euro-visions from Down Under: multicultural community preferences and the national broadcaster, SBS
- 9. Lessons Learned: Teaching European Studies in Full Eurovision
- 10. Our Aussie Divas: Interrogating Australian Identity through Audience Reactions to Australia’ s Eurovision Entrants.-11. “It Really Makes You Feel Part of the World”: Transnational Connection for Australian Eurovision Audiences
- 12. Pyjama Fandom: Watching Eurovisionfrom Down Under
- 13. Eurovision — Australia Decides: a Conclusion.