A Phenomenology of Musical Absorption
| 第一著者: | |
|---|---|
| 団体著者: | |
| 要約: | XXII, 282 p. 11 illus., 2 illus. in color. text |
| 言語: | 英語 |
| 出版事項: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| 版: | 1st ed. 2018. |
| シリーズ: | New Directions in Philosophy and Cognitive Science,
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| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1007/978-3-030-00659-4 |
| フォーマット: | 電子媒体 eBook |
目次:
- Chapter 1. Introduction
- Part I: Meeting the Danish String Quartet
- Chapter 2. How Should We Study Musical Absorption? The Phenomenological Interview
- Chapter 3. From Ragdoll to Battle Commander: The Experience of Musical Absorption
- Chapter 4. A Topography of Muscial Absorption
- Part II: Comparative Perspectives
- Chapter 5. Expertise, Mind Wandering, and Amnesia
- Chapter 6. Artistic and Aesthetic Experience
- Chapter 7. Flow
- Chapter 8. Dreaming and Sleeping
- Chapter 9. Schizophrenia and Ipseity Disturbances
- Part III. Phenomenological Underpinnings of the Musically Extended Mind
- Chapter 10. Performative Passivity
- Chapter 11. The Hive Mind: Playing Together
- Chapter 12.Conclusions.