Irish Drama, Modernity and the Passion Play
| 第一著者: | |
|---|---|
| 団体著者: | |
| 要約: | XII, 264 p. 4 illus. text |
| 言語: | 英語 |
| 出版事項: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2016.
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| 版: | 1st ed. 2016. |
| 主題: | |
| オンライン･アクセス: | https://doi.org/10.1057/978-1-349-94963-2 |
| フォーマット: | 電子媒体 図書 |
目次:
- Introduction
- Part I. Synge, Irish modernity and the Passion play
- Chapter 1. “Unseen forms of violence”
- Part II. The Passion of 1916
- Chapter 2. Anticipating the Rising
- Chapter 3. Framing the Rising
- Chapter 4. Saint Joan’s unheard voices
- Chapter 5. Re-directing the Passion play
- Part III. After Revolution
- Chapter 6. Reclaiming Robert Emmet
- Chapter 7. Nationalism, abjection and the reinvention of Ireland in Brendan Behan’s The Hostage
- Chapter 8. Intimate Passions
- Chapter 9. Open mouths
- Part IV. The Artist’s Passion
- Chapter 10. Torture and Passion
- Chapter 11. The seduction of silence
- Conclusion. .