Irish Drama, Modernity and the Passion Play

Manylion Llyfryddiaeth
Prif Awdur:	Poulain, Alexandra (Awdur)
Awdur Corfforaethol:	SpringerLink (Online service)
Crynodeb:	XII, 264 p. 4 illus. text
Iaith:	Saesneg
Cyhoeddwyd:	London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2016.
Rhifyn:	1st ed. 2016.
Pynciau:	Theater > History. Performing arts. Theater. European literature. Religion and sociology. Theatre History. Theatre and Performance Arts. European Literature. Sociology of Religion.
Mynediad Ar-lein:	https://doi.org/10.1057/978-1-349-94963-2
Fformat:	Electronig Llyfr

Tabl Cynhwysion:

Introduction
Part I. Synge, Irish modernity and the Passion play
Chapter 1. “Unseen forms of violence”
Part II. The Passion of 1916
Chapter 2. Anticipating the Rising
Chapter 3. Framing the Rising
Chapter 4. Saint Joan’s unheard voices
Chapter 5. Re-directing the Passion play
Part III. After Revolution
Chapter 6. Reclaiming Robert Emmet
Chapter 7. Nationalism, abjection and the reinvention of Ireland in Brendan Behan’s The Hostage
Chapter 8. Intimate Passions
Chapter 9. Open mouths
Part IV. The Artist’s Passion
Chapter 10. Torture and Passion
Chapter 11. The seduction of silence
Conclusion. .

Eitemau Tebyg