The Latin American Road Movie
| Autor corporatiu: | |
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| Altres autors: | , |
| Sumari: | XIII, 282 p. text |
| Idioma: | anglès |
| Publicat: |
New York :
Palgrave Macmillan US : Imprint: Palgrave Macmillan,
2016.
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| Edició: | 1st ed. 2016. |
| Col·lecció: | Global Cinema,
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| Matèries: | |
| Accés en línia: | https://doi.org/10.1057/978-1-137-58093-1 |
| Format: | Electrònic Llibre |
Taula de continguts:
- Introduction: Reconfiguring Precarious Landscapes: the Road Movie in Latin America Verónica Garibotto and Jorge Pérez
- Section I: Latin American Modernity on the Road and in the Spotlight
- 1 Revisiting Modernity through the Latin American Road Movie Nadia Lie
- 2 Journey to the Ruins of Modernity: Euforia and 40 días Ignacio Sánchez Prado
- 3 The Power of Running on Empty: On the Road in Post-Soviet Cuba Vicky Unruh
- Section II: The Latin American Road Movie: Readings and Genealogies
- 4 Recorriendo las Américas: Cars, Roads, and Latin American Cinema Gilberto Blasini
- 5 Lonely Souls in Sólo Dios sabe by Carlos Bolado: Pastoralism and Syncretic Spirituality in Times of Crisis Salvador Oropesa
- 6 Tania Hermida’s Qué tan lejos: Bending Conventions on the Road to Cuenca Carolina Rueda Section III: Heterogeneous Territories: Mapping Class, Race, Gender, and Sexuality
- 7 Central American Non-belonging: Reading “El norte” inCary Fukunaga’s Sin nombre Yajaira Padilla
- 8 Decolonizing Maya Border Crossings in El Norte and La Jaula de Oro Alicia Estrada
- 9 Configuring Desire and Social Order in the Contemporary Mexican Youth Road Film Olivia Cosentino
- Section IV: Regional Techniques and Local Iconographies
- 10 The Contemporary Documentary Road Movie in Latin America: Issues on Mobility, Displacement, and Autobiography Pablo Piedras
- 11 The Contemporary Brazilian Road Movie: Remapping National Journeys on Screen in Viajo porque preciso, volto porque te amo Sara Brandellero
- 12 Inscription and Subversion of the Road Movie in Inés de Oliveira Cézar’s Cassandra (2012) Cynthia Tompkins.