Historical Theory and Methods through Popular Music, 1970–2000 “Those are the New Saints” /
| Hauptverfasser: | , |
|---|---|
| Körperschaft: | |
| Zusammenfassung: | XII, 311 p. text |
| Sprache: | Englisch |
| Veröffentlicht: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2017.
|
| Ausgabe: | 1st ed. 2017. |
| Schriftenreihe: | Pop Music, Culture and Identity,
|
| Schlagworte: | |
| Online-Zugang: | https://doi.org/10.1057/978-1-137-57072-7 |
| Format: | Elektronisch Buch |
Inhaltsangabe:
- 1. Introduction: Those are the new saints.- 2. “‘400 Years’: Modernity, the Longue Durée, and Jamaican Music, 1600s-1980s”.- 3.“This Charming Man: Queer and Alternative Masculinities, 1970-1994”.- 4.“Will the Wolf Survive?”: Chicana/o Identity and Punk Rock in Los Angeles, 1977-2000.”.-5. “A Perfect New Loop: Hip-Hop, Deindustrialization, and the Post-Civil Rights Era, and Hip-Hop, 1973-2000”
- 6. “The Pride of History”: Post-Punk and the Aesthetics of Postmodernity
- 7. “Waveless—MTV and the ‘Quiet’ Feminism of the 1980s”
- 8. “Hiraeth—The Celtic Moment in 1980s Alternative Rock”
- 9. “Feels Blind: Counter-Hegemony in Alternative Rock during the Reagan/Thatcher Era”
- 10. “No Depression: The Nostalgia and Authenticity of Alternative Country”
- 11. Conclusion.