Globalization, Music and Cultures of Distinction, The Rise of Pop Music Criticism in Italy /
| Κύριος συγγραφέας: | |
|---|---|
| Συγγραφή απο Οργανισμό/Αρχή: | |
| Περίληψη: | IX, 234 p. text |
| Γλώσσα: | Αγγλικά |
| Έκδοση: |
London :
Palgrave Macmillan UK : Imprint: Palgrave Macmillan,
2016.
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| Έκδοση: | 1st ed. 2016. |
| Θέματα: | |
| Διαθέσιμο Online: | https://doi.org/10.1057/978-1-137-56450-4 |
| Μορφή: | Ηλεκτρονική πηγή Βιβλίο |
Πίνακας περιεχομένων:
- Introduction: How Things Come Into Being
- Part I: Situating the Study
- 1. New Forms of Distinction, New Cultural Institutions
- 2. Globalization and Artistic Legitimation: Reconceptualizing Bourdieu
- Part II: Pop Music Criticism in Italy (1969-1977)
- 3. Young, Educated and Cosmopolitan: A New Cultural Institution
- 4. Economic Cosmopolitanism: The Case of Ciao 2001
- 5. Political Cosmopolitanism: The Case of Muzak and Gong
- Part III: Evaluating Music and Music Criticism
- 6. Aesthetic Encounters: Evaluating Rock, Jazz and Soul
- 7. Music Magazines as Alternative Public Spheres
- Conclusion: The Struggle Goes On < .