Концепт «потустороннee» как объект пародии и рефлексии в романе В. В. Набокова "Pale Fire" ("Бледный огонь")
| Parent link: | Вестник Томского государственного университета/ Национальный исследовательский Томский государственный университет (ТГУ).— , 1998- № 420.— 2017.— [С. 5-15] |
|---|---|
| Main Author: | |
| Corporate Author: | |
| Summary: | Заглавие с экрана На материале романа «Бледный огонь» обсуждается реализация концепта «потустроннее». Автор описывает происхождение и структуру сюжета, используя методы анализа дискурса («история идей»). Объектом пародии становится идея посмертного утешения и отрицания опыта. Рефлексивные аспекты рассматриваются в соотношении с понятием «места во времени». Сделан вывод, что В.В. Набоков предпочитает понимать «потустороннее» как реализацию личной субъективности в процессе самосознания. The problem of author's philosophy of life is one of the key problems in Nabokov studies. In this article the author tries to solve the problem of interpretation of the concept “other worldliness”, one of the most discussed by researchers. The object of research here is Nabokov's novel Pale Fire. In this novel the author realized two variants of understanding the “other worldliness” concept and showed it in the double plot. The origin and structure of the novel's double plot is analyzed in this article. Analysis of historical discourses (history of ideas) is used as a research method. The parody aspects of the plot are realized in the sketches of the novel about Zembla King by Charles Kinbote. The object of Nabokov's parody is the idea of consolation after death and acceptance of life as meaningless and wrong experience. The king of Zembla (and so Kinbote) feels the fear of the puzzling world. The reason of the fear is the loss of traditional cultural and religion ways of connection with “other worldliness”. The king of Zembla totally mistrusts and detests his life experience. It is the reason why he changes masks and can not find his original personality. Charles Kinbote has a panic fear of death, which made him a mentally-ill person. As a result, fear transforms him into a hypnotist. He tries to control the poet John Shade's personality. The parody aspects of the plot are analyzed in connection with the discourse of American and English Shakespeare's cinema parody that was so popular in the first quarter of the 20th century. On the other hand, Shakespeare's plays Hamlet and Midsummer Night Dream give images for the representation of the “other worldliness” concept both for John Shade's poem and for Charles Kinbote's novel sketches. Reflection aspects of the representation of the “other worldliness” concept are analyzed in connection with the notion “spots of time”. Режим доступа: по договору с организацией-держателем ресурса |
| Published: |
2017
|
| Series: | Филология |
| Subjects: | |
| Online Access: | http://dx.doi.org/10.17223/15617793/420/1 |
| Format: | Electronic Book Chapter |
| KOHA link: | https://koha.lib.tpu.ru/cgi-bin/koha/opac-detail.pl?biblionumber=657269 |