Этнодизайн как основа формирования толерантного отношения к традициям разных культур
| Parent link: | Вестник Тувинского государственного университета.— , 2009- № 1 (24) : Социальные и гуманитарные науки.— 2015.— [С. 159-162] |
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| Summary: | Заглавие с экрана Актуальность работы обусловлена необходимостью исследования механизмов трансляции смыслов различных культур в формах и образах современного дизайна, необходимостью создания гармоничных и информационно-ёмких визуальных объектов, востребованных в самых различных сферах современной жизни (реклама, интернет, дизайн и др.). Цель работы - исследование особенностей трансляции смыслов этнокультур в современных образах дизайна и их связи со спецификой формообразования. В работе используются методы анализа и моделирования семиотических систем, методы историко-культурного анализа, методы компаративистики и системного анализа. Результатом исследования является раскрытие механизмов трансляции культурных смыслов в объектах этнодизайна, а также их влияние на особенности формообразования. Urgency of the work is conditioned by the necessity to research translation mechanisms of the meanings of different cultures in the forms and images of modern design, and the need to create harmonious and data-intensive visual objects that are in demand in various spheres of modern life (advertising, Internet, design, etc.). The purpose of work is to study the peculiarities of translation of ethnic cultures meanings in the modern images of design and their connection with the specifics of shaping. In the research was used methods of analysis and simulation of semiotic systems, methods of historical-cultural analysis, methods of comparative linguistics and system analysis. In modern culture there is a mixture of styles, the space and time of birth of which determines ideographic identity of different ethnic groups. Ethno-design was born in the Age of Modernism and manifested primarily in following the tradition of shaping, which is based on specific ethnographic material. By studying the organization features of artifacts, the designer seeks to identify the main (dominant) ideas that underlie them and which are the conductors in the world of meanings of ethno-cultures. Thus, the relevance of ethno-design development besides the aesthetic and artistic value is due to unique ability to "include" to the world historical experiences and sensations caused by an appeal to ethnic images. Design working practices with ethnographic material suggests the study of characteristics of the visual patterns organization of a particular culture. In contrast to the historical, archaeological, cultural and other studies, the designer seeks primarily to identify the formation features, which describe methods of construction of ethno-cultural sample. The result of the research is the discovery of transmission mechanisms of cultural meanings in the objects of ethno-design, as well as their impact on the peculiarities of shaping. Режим доступа: по договору с организацией-держателем ресурса |
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2015
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| Series: | Философия |
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| Online Access: | http://elibrary.ru/item.asp?id=23205067 http://tuvsu.ru/vestnik/sites/default/files/archives/2015_1/etnodizayn_kak_osnova_formirovaniya_tolerantnogo_otnosheniya_k_tradiciyam.pdf |
| Format: | Electronic Book Chapter |
| KOHA link: | https://koha.lib.tpu.ru/cgi-bin/koha/opac-detail.pl?biblionumber=647891 |