Environment, Media, and Popular Culture in Southeast Asia

Bibliografske podrobnosti
Korporativna značnica: SpringerLink (Online service)
Drugi avtorji: Telles, Jason Paolo (Editor), Ryan, John Charles (Editor), Dreisbach, Jeconiah Louis (Editor)
Izvleček:X, 348 p. 45 illus., 40 illus. in color.
text
Jezik:angleščina
Izdano: Singapore : Springer Nature Singapore : Imprint: Springer, 2022.
Izdaja:1st ed. 2022.
Serija:Asia in Transition, 17
Teme:
Online dostop:https://doi.org/10.1007/978-981-19-1130-9
Format: Elektronski Knjiga
Kazalo:
  • Chapter 1. Introduction: Ecologies of Southeast Asian Media and Popular Culture (Jason Paolo Telles)
  • Part 1. Activism, Environment, and Indigeneity
  • Chapter 2.Sons of Soil: Reconstituting Bumiputeraism Indigeneity, Tanah Melayu, and Tanah Adat Orang Asli (Yvonne Tan)
  • Chapter 3. Reading the Novel Sarongge through the Eyes of Female Environmental Activists in Indonesia (Meredian Alam)
  • Chapter 4. Nguyen Trinh Thi’s Ecocinema: An Artistic Response to Environmental Problems in Vietnam (Tran Ngoc Hieu)
  • Chapter 5. Vietnamese Cinema and Ecological Issues: The Story of Pao and Black Forest (Lê Thị Dương)
  • Chapter 6. “Greatest Prodigy of the Vegetable World:” The Mediation of Rafflesia, the Corpse Flower of Southeast Asia (John Charles Ryan)
  • Part 2. Political Ecologies and Urban Spaces
  • Chapter 7. The Nightcrawlers and the Optics of Death: Documenting Duterte’s Necro-Politics (Jose Kervin Calabias)
  • Chapter 8. Intervening in the Indonesian Election through Ecodocumentary: The Caseof Sexy Killers (Agung Wardana)
  • Chapter 9. The Village as a Space of Rights: The Political Ecology of Mangroves and Fish Farming in an Island Village in Central Philippines (Eulalio Guieb)
  • Chapter 10. The West Philippine Sea Dispute and Memefied Fish on Facebook (Jason Paolo Telles)
  • Chapter 11. Telegraphic Poetics in Anxiety Myths by Afrizal Malna: Re-envisioning Human Interconnection with Material Ambience in the Digital Millennium (Henrikus Joko Yulianto)
  • Part 3. Narratives, Discourses, and Aesthetics
  • Chapter 12. Against DomiNation: Intersectional Aesthetics in U. Raksasad's Fictional Documentary Agrarian Utopia (Natalie Boheler)
  • Chapter 13. The Littoral Zone as Guerilla Zone: The Hydroaesthetics of Revolutionary Music for Filipino Fisherfolk (Jose Monfred Sy)
  • Chapter 14. Maps and Shifting Power Relations in the Mekong Delta Region (Tami Banh)
  • Chapter 15. The Trend of “Movies as Tourism Promotion:” From Picturesque Landscapes to Eco-Consciousness (Hoang Cam Giang)
  • Chapter 16. The Reporting of Climate-Related News by the National Broadcast Media of Brunei Darussalam (Sharifah Nurulhuda Alkaff)
  • Chapter 17.Ecocentric Underpinnings in the My Village Children's TV Program in Laos (Jason Paolo Telles)
  • Part 4. Imperialism, Nationalism, and Islands
  • Chapter 18. Singapore, Colonialism, and the Environment (Marcella Polain)
  • Chapter 19. Archipelagic Choreography: Movement and Intertwining Bodies in Emiliana Kampilan’s Dead Balagtas (Maria Karaan)
  • Chapter 20. National Properties, National Ecologies: Postcolonial and Ecocritical Engagements with Mikhail Red’s Birdshot (2016) (Trish Remetir)
  • Chapter 21. Wild Honey: Caring for Bees in a Divided Land (Balthasar Kehi)
  • Chapter 22. Slow Cinema, Filipino Epistemology, and Nature in Lav Diaz’s From What Is Before (Stefan Torralba)
  • Chapter 23. Escaping Paradise, Returning this Island: Examining Representations of Siargao and Islandic Space (Leonard Thomas Shaw).