Fractured Scenes Underground Music-Making in Hong Kong and East Asia /
| Համատեղ հեղինակ: | |
|---|---|
| Այլ հեղինակներ: | , |
| Ամփոփում: | XXIII, 268 p. 41 illus. text |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Singapore :
Springer Nature Singapore : Imprint: Palgrave Macmillan,
2021.
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| Հրատարակություն: | 1st ed. 2021. |
| Խորագրեր: | |
| Առցանց հասանելիություն: | https://doi.org/10.1007/978-981-15-5913-6 |
| Ձևաչափ: | Էլեկտրոնային Գիրք |
Բովանդակություն:
- 1. Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context; Damien Charrieras and François Mouillot
- Part One: Perspectives on the Hong Kong Underground
- 2. Ice Skating and Stinky Foods: Notes from the Hong Kong Underground, 2018–2019; Ken Ueno
- 3. Interview of Xper.Xr; Damien Charrieras and François Mouillot
- 4. Interview with Kung Chi Shing; François Mouillot and Damien Charrieras
- Part Two, Take 1: Individual Case Studies in Noise/ Experimental Music/Free Improvisation
- 5. The Politics of Noise: An Interview with Sound Scientist Dennis Wong; Blair Reeve
- 6. Opportunities in Theatre Performing Arts Advancement in Bettering Underground Music Development: A Reflection on the Relevance of the Technical Production in Local/Global Experimental Music Performances; Kam-po Tse
- 7. A “No-Venue Underground”: Making Experimental Music Around Hong Kong’s Lack of Performance Spaces; Gabriele de Seta
- Part Two, Take 2: IndividualCase Studies in Sound and Contemporary Art
- 8. Interview with Samson Young; François Mouillot and Damien Charrieras
- 9. Noises That No One Else Hears; Cédric Maridet
- 10. In Crevices, Stairwells, and Ever-Changing Tides: A Personal Reflection on Holding Up a Walking and Listening Body; Yang Yeung
- Part Two, Take 3: Individual Case Studies in Indie-Rock/ Indie-Pop and Electronic Music
- 11. From Indie to Underground: The Hong Kong DIY Rock Scene in the Post-Hidden Agenda Era; Ahkok Chun-kwok Wong
- 12. The Transformation of Indie Music in Hong Kong; Stella Lau
- 13. Underground Club Music After Social Media: A Study of Hong Kong Underground Club Music Scene Through Absurd TRAX from 2016 to 2018, A Personal Perspective; Alex Yiu
- Part Three: Interfaces
- 14. Radical Participation: The Politics of Performance in Chinese Punk-Rock Concerts; Nathanel Amar
- 15. An Underground Music Venue in Beijing: fRUITYSPACE; Edward Sanderson
- 16. History of Sound in the Arts in Japan Between the 1960s and 1990s; Katsushi Nakagawa
- 17. “Like the Apocalypse Is Imminent by Guys Who Could Barely Play Guitar”: Performing Amateurism in the Garage Rock Underground of Tokyo; José Vicente Neglia
- 18. Conclusion: Notes on Cities, Undergrounds and Closed Upper Rooms; Will Straw.