Chinese Ibsenism Reinventions of Women, Class and Nation /

Bibliographic Details
Main Author:	Tam, Kwok-kan (Author)
Corporate Author:	SpringerLink (Online service)
Summary:	XI, 298 p. 27 illus., 12 illus. in color. text
Language:	English
Published:	Singapore : Springer Nature Singapore : Imprint: Springer, 2019.
Edition:	1st ed. 2019.
Subjects:	Theater. Sex. Culture. Literature, Modern > 20th century. Applied Theatre. Gender Studies. Sociology of Culture. Twentieth-Century Literature.
Online Access:	https://doi.org/10.1007/978-981-13-6303-0
Format:	Electronic Book

Table of Contents:

Chapter 1 Introduction: Ibsenism and Reinventions of Chinese Culture
Chapter 2 Modern Chinese Theatre as Public Sphere
Chapter 3 Iconoclasm in Chinese Ibsenism
Chapter 4 Divided Ibsenism in Divided China
Chapter 5 Translation and the Dissemination of Ibsenism
Chapter 6 Ibsenism as Individualism of the Self
Chapter 7 Noraism and Class Ideology in Modern Chinese Fiction
Chapter 8 Women and Gender in Modern Chinese Drama
Chapter 9 Postsocialist Ibsenism Beyond Class Ideology
Chapter 10 Reinventions of Women and Nation in Ibsen Performances
Chapter 11 Ibsenism and Ideology in Chinese Playwriting
Chapter 12 Conclusion: Chinese Ibsenism in the Politics of Global Literary Reception
Chapter 13 Appendix 1: Chinese Translations and Rewritings of Ibsen’s Works
Chapter 14 Appendix 2: Chinese Stage and Film Productions of Ibsen’s Plays
Chapter 15 Bibliography.

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