Deconstructing Contemporary Chinese Art Selected Critical Writings and Conversations, 2007-2014 /

Detalles Bibliográficos
Autor principal: Gladston, Paul (Autor)
Autor Corporativo: SpringerLink (Online service)
Sumario:XX, 195 p. 70 illus., 57 illus. in color.
text
Lenguaje:inglés
Publicado: Berlin, Heidelberg : Springer Berlin Heidelberg : Imprint: Springer, 2016.
Edición:1st ed. 2016.
Colección:Chinese Contemporary Art Series,
Materias:
Acceso en línea:https://doi.org/10.1007/978-3-662-46488-5
Formato: Electrónico Libro
Tabla de Contenidos:
  • Preface
  • Part 1 - Critical Essays
  • Somewhere (and Nowhere) between Modernity and Tradition: Towards a Polylogue between Differing International and Indigenous Perspectives on the Significance of Contemporary Chinese Art
  • International Curatorial Practice and The Problematic (De-)Territorialization of the International Survey Show: Critical Reflections on the Third Guangzhou Triennial, Farewell to Post-Colonialism
  • Avant-Garde’ Art in Reform-era China: Divergence, Reversal and the Persistence of (Subjective) Realism
  • Deconstructing Gao Minglu
  • Cultural Translation and Post hoc Intellectual Conceit: Critical Reflections on the Conflating  of Traditional Chinese Cultural Thought and Practice, and the Theory and Practice of Deconstruction in relation to the Theorizing of Contemporary Chinese Art
  • Besiege Wei to Rescue Zhao: a Stratagem towards a Post-Crisical Art
  • The (Continuing) Story of Ai: From Tragedy to Farce 
  • The Cult of Ai: a Critical Response to Ai Weiwei’s Comments on the Exhibition Art of Change: New Directions from China
  • The Double Way: Contemporary Chinese Art and the Waning of Criticality
  • Silence and Recuperation: the Pitiable sacrifice of the Artist Ai Weiwei 
  • Part 2 - Conversations
  • Inside the Yellow Box: a Conversation with Johnson Chang
  • Track Changes: a Conversation with Jia Jia
  • Low Resolution: a Conversation with Zhang Peili
  • Answering the Question: What is the Chinese Avant-Garde? – a Conversation with Zhai Zhenming
  • Disjuncture – Tradition – Indirectness: a Conversation with Qiu Anxiong
  • Collaboration as Struggle and Non-cooperation: A Conversation with Sun Yuan and Peng Yu
  • Time, Life and Nature: A Conversation with Liang Shaoji
  • A Conversation with He Sai Bang’ in Karen and Leon Wender (eds.)
  • Part 3 - Writing for Exhibitions
  • Immersion: Song Ling’s Early Development as an Artist in the People’s Republic of China’ in Song Ling: a Retrospective 
  • Overlit Realm/Inner World: a Loosely Articulated Series of Notes on the Work of the Artist Lu Xinjian’ in Lu Xinjian City DNA IV
  • Objectless Desire: a Loosely Articulated Series of Notes on Works by the Painter Tang Shu’ in Still Waters Run Deep: Tang Shu Works 
  • A Concise Series of Statements (that May or May not be) About the Work of the Artist Han Feng’ in Han Feng: Works 
  • The 14th Month (After the Great Flood): Towards an Alternative Reading of Yang Jiechang’s Stranger than Paradise’ in Yang Jiechang: Tale of the 11th Day 
  • Something (and Nothing) Beyond the Text: An Essay on the Work of Song Kun’ in Robin Peckham (ed.) Fragments: Xijia River Lethe - catalogue for an exhibition of work by the artist Song Kun.