Beckett's Intuitive Spectator Me to Play /

Bibliographic Details
Main Author: Chiang, Michelle (Author)
Corporate Author: SpringerLink (Online service)
Summary:VIII, 196 p.
text
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Edition:1st ed. 2018.
Series:New Interpretations of Beckett in the Twenty-First Century,
Subjects:
Online Access:https://doi.org/10.1007/978-3-319-91518-0
Format: Electronic Book

MARC

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490 1 |a New Interpretations of Beckett in the Twenty-First Century,  |x 2945-6800 
505 0 |a 1. Introduction -- 2. The Intuition of Loss in Beckett’s Radio Plays -- 3. Film and the Ecstatic Spectator -- 4. Time out from the World: Respite in Beckett’s Stage plays -- 5. The Disengaging Beckettian Television Audience and the Monument to Loss -- 6. Conclusion. 
520 |a Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. . 
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650 0 |a Theater  |x History. 
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650 2 4 |a Twentieth-Century Literature. 
650 2 4 |a Contemporary Theatre and Performance. 
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