Cognitive Theory and Documentary Film
| مؤلف مشترك: | |
|---|---|
| مؤلفون آخرون: | , |
| الملخص: | XXI, 343 p. 9 illus., 3 illus. in color. text |
| اللغة: | الإنجليزية |
| منشور في: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| الطبعة: | 1st ed. 2018. |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://doi.org/10.1007/978-3-319-90332-3 |
| التنسيق: | الكتروني كتاب |
جدول المحتويات:
- 1 Introduction: Intersecting Cognitive Theory and Documentary Film
- Part I The Mediation of Realities
- 2 A Documentary of the Mind: Self, Cognition and Imagination in Anders Østergaard’s Films
- 3 Little Voices and Big Spaces: Animated Documentary and Conceptual Blending Theory
- 4 Documentary Spectatorship and the Navigation of “Difficulty”
- 5 Docudrama and the Cognitive Evaluation of Realism
- 6 The Duties of Documentary in a Post-Truth Society
- Part II Character Engagement
- 7 Characterization and Character Engagement in the Documentary
- 8 The Difficulty of Eliciting Empathy in Documentary
- 9.Fake Pictures, Real Emotions: A Case Study of Art and Craft
- 10 Engaging Animals in Wildlife Documentaries: From Anthropomorphism to Trans-species Empathy.-Part III Emotions and Embodied Experience.-11 Collateral Emotions: Political Web Videos and Divergent Audience Responses
- 12 Slow TV: The Experiential and Multisensory Documentary
- 13 Toward a Cognitive Definition of First-Person Documentary
- 14 The Communication of Relational Knowledge in the First-Person Documentary
- Part IV Documentary Practice
- 15 A Social Cognition Approach to Stereotyping in Documentary Practice
- 16 A Cognitive Approach to Producing the Documentary Interview
- 17 Documentary Editing and Distributed Cognition.