|
|
|
|
| LEADER |
00000nam a22000005i 4500 |
| 001 |
978-3-319-77944-7 |
| 003 |
DE-He213 |
| 005 |
20240509021922.0 |
| 007 |
cr nn 008mamaa |
| 008 |
180331s2018 sz | s |||| 0|eng d |
| 020 |
|
|
|a 9783319779447
|9 978-3-319-77944-7
|
| 024 |
7 |
|
|a 10.1007/978-3-319-77944-7
|2 doi
|
| 050 |
|
4 |
|a HF5410-5417.5
|
| 072 |
|
7 |
|a KJS
|2 bicssc
|
| 072 |
|
7 |
|a BUS043000
|2 bisacsh
|
| 072 |
|
7 |
|a KJS
|2 thema
|
| 082 |
0 |
4 |
|a 658.8
|2 23
|
| 100 |
1 |
|
|a de Burgh-Woodman, Hélène.
|e author.
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
|
| 245 |
1 |
0 |
|a Advertising in Contemporary Consumer Culture
|h [electronic resource] /
|c by Hélène de Burgh-Woodman.
|
| 250 |
|
|
|a 1st ed. 2018.
|
| 264 |
|
1 |
|a Cham :
|b Springer International Publishing :
|b Imprint: Palgrave Macmillan,
|c 2018.
|
| 300 |
|
|
|a IX, 273 p.
|b online resource.
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 347 |
|
|
|a text file
|b PDF
|2 rda
|
| 505 |
0 |
|
|a 1. Introduction -- 2. Postmodern Culture, Convergence and Advertising -- 3. Assemblage Thinking -- 4. Intensities and the Singular Assemblage: Becomings -- 5. Intensities and the Singular Assemblage: Time and Space -- 6. Extensions and the Advertising Suite -- 7. The Oeuvre as Assemblage -- 8. The Assembled Advertisement and the Consumer.
|
| 520 |
|
|
|a This is the first scholarly book dedicated to reading the work of contemporary filmmakers and their impact on modern marketing and advertising. Drawing from consumer culture theory, film and media studies, the author presents an expansive analysis of a range of renowned filmmakers who have successfully applied their aesthetic and narrative vision to commercial advertising. It challenges some traditional advertising tropes and sheds light on the changing nature of advertising in the contemporary media context. Utilising Deleuze and Guattari’s notion of assemblage, this book addresses themes of spatiality and time, narrative and aesthetics and consumer reception within a new frame of reference that re-contextualises classical concepts of genre, platform and aesthetic categories. These diverse elements are embedded into a larger discussion of the resonance of contemporary advertising for consumer culture and the implications of the hybridity characteristic of convergent mediaplatforms for understanding the potential of advertising in the twenty-first century. It offers a cutting-edge, interdisciplinary perspective for researchers, academics, and practitioners working in marketing communications, advertising, and media studies.
|
| 650 |
|
0 |
|a Marketing.
|
| 650 |
|
0 |
|a Communication.
|
| 650 |
|
0 |
|a Motion pictures.
|
| 650 |
|
0 |
|a Television broadcasting.
|
| 650 |
|
0 |
|a Culture
|x Study and teaching.
|
| 650 |
1 |
4 |
|a Marketing.
|
| 650 |
2 |
4 |
|a Media and Communication.
|
| 650 |
2 |
4 |
|a Film and Television Studies.
|
| 650 |
2 |
4 |
|a Cultural Theory.
|
| 710 |
2 |
|
|a SpringerLink (Online service)
|
| 773 |
0 |
|
|t Springer Nature eBook
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783319779430
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783319779454
|
| 776 |
0 |
8 |
|i Printed edition:
|z 9783030085803
|
| 856 |
4 |
0 |
|u https://doi.org/10.1007/978-3-319-77944-7
|
| 912 |
|
|
|a ZDB-2-BUM
|
| 912 |
|
|
|a ZDB-2-SXBM
|
| 950 |
|
|
|a Business and Management (SpringerNature-41169)
|
| 950 |
|
|
|a Business and Management (R0) (SpringerNature-43719)
|