Realist Critiques of Visual Culture From Hardy to Barnes /
| 主要作者: | |
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| 企业作者: | |
| 总结: | VII, 186 p. text |
| 语言: | 英语 |
| 出版: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| 版: | 1st ed. 2018. |
| 主题: | |
| 在线阅读: | https://doi.org/10.1007/978-3-319-77323-0 |
| 格式: | 电子 图书 |
书本目录:
- 1. Introduction: Literary Realism as Meta-Spectacle
- 2. “Pugin was wrong, and Wren was right” – Architectural Revival as Spectacle in Thomas Hardy’s Jude the Obscure
- 3. “The true Italy is to be found by patient observation” – Tourism as Spectacle in E.M. Forster’s A Room with a View
- 4. “You’ve stirred in me my unacted part” – Historical Pageantry as Spectacle in Virginia Woolf’s Between the Acts
- 5. “Pressed against the screen” – Cinema and Photography as Spectacle in Salman Rushdie’s Midnight’s Children
- 6. “The law of white gloves” – The Museum as Spectacle in Edward Carey’s Observatory Mansions
- 7. Epilogue: “Those old soixante-huitards” – Debord as Spectacle in Julian Barnes’ England, England.