Theatre, Performance and Change
| Autor Corporativo: | |
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| Outros autores: | , |
| Summary: | LV, 344 p. 4 illus. text |
| Idioma: | inglés |
| Publicado: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Edición: | 1st ed. 2018. |
| Subjects: | |
| Acceso en liña: | https://doi.org/10.1007/978-3-319-65828-5 |
| Formato: | Electrónico Libro |
Table of Contents:
- 1. Stephani Etheridge Woodson and Tamara Underiner; Introduction
- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change
- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum
- 4. David Calder; Street Performers Working for Change
- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change
- 6. Jan Cohen-Cruz; Uncommon Partnerships
- 7. Kathryn Dawson; Reflections on School Change through the Arts
- 8. Linda Essig; n=1
- 9. John Fletcher; Denouement: Notes on the End(s) of Activism
- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event
- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences
- 12. Nadine George-Graves; An Environment of Cascading Consequences
- 13. Jamie Haft; Creating a Populist Theatre
- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation
- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre
- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change
- 17. Elizabeth Johnson; Choreography, Connections and Change
- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry
- 19. Michal Kobialka; “Of Change”
- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice
- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color
- 22. Robert H. Leonard; Theatre and Social Imaginaries
- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes
- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change
- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative
- 26. Talleri A. McRae; The Aesthetics of Inclusion
- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia)
- 28. Tobin Nellhaus; Big History
- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost
- 30. Jon D. Rossini; Shift 2
- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising
- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs
- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes
- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook
- 35. W. B. Worthen; (Inter)disciplinary Change
- 36. Patricia Ybarra; The Administrator as Activist
- 37. Stephani Etheridge Woodson and Tamara Underiner. And…?