Post-Unification Turkish German Cinema Work, Globalisation and Politics Beyond Representation /
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| Corporate Author: | |
| Summary: | VIII, 217 p. text |
| Language: | English |
| Published: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2018.
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| Edition: | 1st ed. 2018. |
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| Online Access: | https://doi.org/10.1007/978-3-319-64431-8 |
| Format: | Electronic Book |
Table of Contents:
- 1.0 Introduction
- 2.0 Part I: The Berlin School
- 2.1 Thomas Arslan’s Berlin Trilogy
- 2.2 Christian Petzold’s Jerichow (2009)
- 3.0 Part II: Documentary Film
- 3.1 Documentary and the Question of Representation
- 3.2 Materiality of Labour: Thomas Arslan’s Aus der Ferne/From Far Away (2006) and Seyhan Derin’s Ben Annemin Kızıyım/I Am My Mother’s Daughter (1996)
- 3.3 Post-Representationalism as a political strategy: Aysun Bademsoy’s Am Rand der Städte/On the Outskirts (2006) and Ehre/Honour (2011)
- 3.4 Machinic Semiotics: Harun Farocki’s Aufstellung/In-formation (2005)
- 4.0 Part III: Social Realism
- 4.1 Viewing against the grain: Feo Aladag’s Die Fremde/When We Leave (2010)
- 4.2 Queering the Ethics of Migration: Yüksel Yavuz’s Kleine Freiheit/A Little Bit of Freedom (2003)
- 5.0 Conclusion. .