Spaces of Surveillance States and Selves /
| Corporate Author: | |
|---|---|
| Other Authors: | , |
| Summary: | XII, 278 p. 17 illus., 13 illus. in color. text |
| Language: | English |
| Published: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2017.
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| Edition: | 1st ed. 2017. |
| Subjects: | |
| Online Access: | https://doi.org/10.1007/978-3-319-49085-4 |
| Format: | Electronic Book |
Table of Contents:
- 1. Introduction
- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid
- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance
- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her
- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity.-6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject
- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance
- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now
- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story
- 9. Citizen: Claudia Rankine, from the First to the Second Person
- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context'
- 11. Sousveillance asa Tool in US Civic Polity
- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.-.