Space and Subjectivity in Contemporary Brazilian Cinema
| 企业作者: | |
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| 其他作者: | , |
| 总结: | XI, 244 p. 26 illus., 22 illus. in color. text |
| 语言: | 英语 |
| 出版: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2017.
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| 版: | 1st ed. 2017. |
| 丛编: | Screening Spaces
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| 主题: | |
| 在线阅读: | https://doi.org/10.1007/978-3-319-48267-5 |
| 格式: | 电子 图书 |
书本目录:
- Chapter 1: Introduction
- Chapter 2: Tikmũ’ũn’s Caterpillar-Cinema: Off-screen Space and Cosmopolitics in Amerindian Films
- Chapter 3: The Reterritorializations of Urban Space in Brazilian Cinema
- Chapter 4: Mapping from the Margins: The Films of Beto Brant
- Chapter 5: Bodies in Landscape: The Scientist’s Presence in Viajo porque preciso, volto porque te amo and Ventos de agosto
- Chapter 6: Intensive Spatium and the Construction of Child Subjectivities in Brazilian Cinema
- Chapter 7: Insolação: Subjective Perception of an Urban Utopia through the Lens of Love and Loss
- Chapter 8: Astral Cities, New Selves: Utopian Subjectivities in Nosso Lar and Branco sai, preto fica
- Chapter 9: Underneath the Surface, Embodied on Screen: Memory and Social Conflict in São Paulo’s Cityscape
- Chapter 10: The Space of Queer Masculinities in Karim Aïnouz’s Praia do Futuro
- Chapter 11: Water and Queer Intimacy
- Chapter 12: ‘Casa grande & senzala’: Domestic Space and Class Conflict in Casa grande and Que horas ela volta?
- Chapter 13: O som ao redor: Aural Space, Surveillance, and Class Struggle.