Woman in Lars von Trier’s Cinema, 1996–2014
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| Summary: | VIII, 213 p. text |
| Sprog: | engelsk |
| Udgivet: |
Cham :
Springer International Publishing : Imprint: Palgrave Macmillan,
2016.
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| Udgivelse: | 1st ed. 2016. |
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| Online adgang: | https://doi.org/10.1007/978-3-319-40639-8 |
| Format: | Electronisk Bog |
Indholdsfortegnelse:
- 1. Introduction: The Lacanian Woman and Lars von Trier’s Cinema
- 2. The Danger of the Naive Religious Woman of Breaking the Waves
- 3. Idioterne: Woman as a Proponent of Real Politics
- 4. Dancer in the Dark: Deploying the Siren, Impairing the Sight
- 5. Dogville: Woman as an Ideological Cinematic Tool
- 6. Manderlay: The Gift, Grace’s Desire, and the Collapse of Ideology
- 7. The Deployment of the Impossible Woman in Antichrist
- 8. Besides Melancholia and Beyond Gender: Melancholia
- 9. Conclusion, or, Desire as Law: the Loneliness of Nymphomaniac between Pornography and Narrative.